95bFM's Loose Reads: Three South Korean Novels - Frances Cha, Elisa Shua Dusapin, Bae Suan

Today, Jenna highlights some kick ass novels that are set in her old home of South Korea. With the rise of K-Pop, K-Beauty, films and of course, Han Kang’s The Vegetarian becoming popularised in the West, there’s no time like the present to delve into this spectacular pile of writing by Korean women.

If I had your Face by Frances Cha - a compelling, fast paced novel that follows a group of four women navigating urban society in Seoul.

Winter in Sokcho by Elisa Shua Dusapin - Translated from French by Aneesa Abbas Higgins. A moody novel set in a tourist seaside town in the freezing winter. Atmospheric, sparse and

Untold Night and Day by Bae Suah - Translated from Korean by Deborah Smith. Jenna’s favourite of the pile. Filmic, sensory and surprising.

Listen to Jenna chat with Rachel and Mary Margaret below:

95bFM's Loose Reads: Hurricane Season by Fernanda Melchor

On 95bFM’s Loose Reads Kiran reviewed the incendiary novel Hurricane Season by Fernanda Melchor which is on the Booker International Prize shortlist. Set in a small Mexican village, this intoxicating novel has the feel of a Southern Gothic modern classic and looks at small town folklore and mythology, inequality, violence and superstition.

95bFM's Loose Reads: Humankind: A Hopeful History by Rutger Bregman

In what’s been an incredibly strange and unsettling 2020, it can be good to read some non fiction with an optimistic outlook. Looking into well known psychological, economical and historical research within a new context, Bregman proves to us that humans are…really not that bad.

For fans of Yuval Noah Harari’s Sapiens. You can buy Humankind here.

Listen to Jenna. Rachel and Tess chat about this book on 95bFM’s Loose Reads below:

95bFM's Loose Reads: Nothing to See by Pip Adam

Kiran was happy to be back in the 95bFM studio with Rachel and Sarah to talk about Pip Adam’s thrilling new novel Nothing to See. Kiran reckons Adam is one of the most interesting and exciting writers currently working in New Zealand fiction.

95bFM's Loose Reads: A Terrible Country by Keith Gessen

One of the hardest requests booksellers get is for funny books! On 95bFM’s Loose Reads, Kiran reviewed A Terrible Country by Keith Gessen. It’s a hilarious novel about a failing academic named Andrei. He’s just split up with his girlfriend and moves from New York to Moscow to look after his ageing grandmother Seva, who is about to turn 90 and has accelerating dementia. This book is also packed with Russian history and politics and is super entertaining.
If you loved Olga Tokarczk’s Drive Your Plow Over the Bones of the Dead you’ll love this!

95bFM's Loose Reads: Fake Baby by Amy McDaid

We’re reunited in Level 1!

Jenna’s in the studio to chat to Rachel and Tess about the new New Zealand novel, Fake Baby by Amy McDaid. Set over nine days in Auckland city, this novel is full of wry, dry humour as we follow a three down and out, yet charming characters as they navigate society, family and their mental health.

95bFM's Loose Reads: Breasts and Eggs by Mieko Kawakami

Meiko Kawakami is a literary star in Japan (also a blogger, poet and former J-Pop star) and this is her first book published in English (translated by Sam Bet and David Boyd. )

Breasts and Eggs won Japan’s most prestigious writing award, the Akutagawa Prize, in 2007. Since then, it has expanded into two books within a book. In Book One, Natsuko is hosting her sister and niece over a sweltering summer in Tokyo from Osaka. Makiko is obsessed with getting breast implants while Midoriko is incredibly anxious about her impending body changes. In Book Two, it’s ten years later and Natsuko is exploring having a child using a sperm donor.

Throughout this novel, Natsuko is surrounded by solo, independent women and this book explores and makes a stand against Japanese patriarchal society. Grimy small apartments, bodily functions, ramen noodles and hostess bars are the background to an intriguing and fleshed out character study.

Also, highly recommended is Kawakami interviewing Murakami where she deeply takes him to task for his writing of female characters.

Listen to Jenna’s review with Rachel and Sarah below:

95bFM's Loose Reads: Underland: A Deep Time Journey by Robert Macfarlane

How often do we think about and how much do we even know about the immense world that lurks beneath our feet? Robert Macfarlane is the poet of the natural world, the linguist of landscape. As we re-emerge from the “underland” of lockdown, his exquisite book Underland: A Deep Time Journey is the most thoughtful and beautiful book to gently dive into at this time. This exhilarating investigation into the world beneath the surface we walk upon, moves between catacombs, a laboratory underground in Yorkshire, and underground burial chambers for nuclear waste in Finland. Macfarlance explains that the underland archives the past, and tells us so much about the future… Kiran read this book in absolute wonder, and reviewed it on 95bFM’s Loose Reads.

AUTHOR INTERVIEW: Becky Manawatu

Becky Manawatu’s Auē is shortlisted for the Jann Medlicott Acorn Prize for Fiction at this year’s Ockham New Zealand Book Awards. You can listen to Kiran’s rave review on 95bFM Breakfast’s Loose Reads here. Manawatu spoke to Kiran ahead of The Ockham NZ Book Awards Winners’ Ceremony which will be live-streamed from 6pm May 12 on the Ockhams YouTube channel where you can now also view readings from the shortlisted authors.

How do you balance fiction writing with journalism? Do you have a preference and do the two different forms inform each other?
My experience as a reporter helped me with editing, and has improved my writing in general. Writing human interest stories, interviewing people gives me a unique, though I admit sometimes sanitised, insight into people's lives. I just love working with words.

Arundhati Roy says fiction is her first love and greatest love, and that is true for me too. Fiction means so much to me. It does not keep me or my family fed or clothed, however if I could immerse myself in it more often, either reading or writing, I really would.

Congratulations too for your nomination for the Best First-Person Essay or Feature at the Voyager Media Awards for your striking personal essay published by Newsroom. Is this area of writing something you’d like to pursue?
I do enjoy personal essay writing, but it is a tough one, while writing them I am obviously mining my own life and writing with the belief that someone might be interested in what I tell them - about myself, this feels like an immensely indulgent thing to do. 

 But it is not just out of an interest in myself, but an interest in the world and people. And I guess I am my own access to other people and the world and I like to write with that access kept intact. I also prefer reading essays where that connection is kept intact. If it's severed, ie, the writer removes themselves completely from what they are expressing, I have to work harder to hold my attention on it. It is probably important I try to do that more often, maybe.

 However, I have thought about cutting down on the number of personal essays I write, as I really want to write another novel. To write a novel I need to have a bright, burning hunger to say something, to feel heard.

 If I keep saying things and being heard, I'm afraid it'll keep the fire in my belly just smouldering away, contentedly, the hunger consistently satiated. But I think the personal essays around Auē were important ones for me to write, and I hope I can continue to write the odd first person essay.

Becky Manawatu’s lockdown bookstack

What was in your lockdown bookstack?
I read Bernadine Evaristo's Girl, Woman, Other. I re-read 'patches' of Renee's memoir These Two Hands, and re-read Janet Frames' Owls Do Cry. I read poems and prose in Sport 47 edited by Tayi Tibble. I listen to Zadie Smith on Youtube lots too, then read any of her essays I could find online. Every Saturday I read Newsroom's new short story.

What book is your comfort read/re-read and why?
Women who Run with the Wolves, by Clarissa Pinkola Estes. I like to reread parts of Witi Ihimaera's Tangi and parts of The God of Small Things by Arundhati Roy. Tangi and The God of Small Things are both books to pick up and flick to a page and reread because they are poetic, as is Frame's Owls Do Cry.

Women who Run with the Wolves is to me, mostly about creativity. It's deep and yum and honours storytelling and makes me want to write.

 I have ordered myself a wee stack of books from my main book squeeze. Order includes Hemi Kelly's A Māori Phrase a Day and Hurricane Season by Fernanda Melchor and Ice Monster by David Walliams for my 11-year-old girl who loves reading too.

What was the last book that really moved you, and why?
Janet Frames' Owls Do Cry. I love the feeling that I am moving around in other human's minds, not being held out, allowed into the strange landscape that is the human psyche. Frame makes these allowances like few other writers can.

What are you working on next, Becky?
I've started writing about this character, a young girl. I have given her a single experience from my childhood to plant a kind of seed.The experience is when I was very young, probably six,I squashed a fly on a windowsill at my house I lived in Birchfield (West Coast). I had been so bored and in my boredom, simply killed this little fly. Small maggots writhed out of it and I was stunned by them. (Mistrusting this memory, because I believed flies laid eggs I googled it and found flies can lay eggs or have live maggots in their bellies). 

 Anyway, I recall sitting there watching the maggots and looking at the dead fly and feeling like I had done something enormously bad.

 Probably months later - I can't be sure - I was watching a nature show on TV and it was about termites, and when I saw the termites I was consumed by guilt because I thought they might have been the things that came out of the fly's belly and on the TV the termites were turning wood to dust and I thought 'Oh no - the termites will be eating our house too and then it will fall down and we will all die and it will be all my fault.'

So I have given this character this story, this grain of worry, guilt, and I just want to see what happens, what the worry forces her to think, feel, do and how it shapes her. Also I just find it interesting how children perceive the world, and I think this personal experience is a good example. Who knows, it'll probably come to nothing...

More about the Ockham New Zealand Book Awards here

AUTHOR INTERVIEW: Owen Marshall

Owen Marshall’s Pearly Gates is shortlisted for the Jann Medlicott Acorn Prize for Fiction at this year’s Ockham New Zealand Book Awards. You can listen to Kiran’s review on 95bFM Breakfast’s Loose Reads here: Marshall spoke to Kiran ahead of The Ockham NZ Book Awards Winners’ Ceremony which will be live-streamed from 6pm May 12 on the Ockhams YouTube channel where you can now also view readings from the shortlisted authors.

Kia ora, Owen! Congratulations on being shortlisted for the Jan Medlicott Acorn Prize for Fiction! Pearly Gates is a charming novel set in a vividly evoked provincial South Island town. A sense of place and landscape is often a key element in your writing - how important is place and landscape to you? 
Most of my writing is concerned with the investigation of character, and I like to give readers a sense of where my characters are, as well as who they are. Landscapes and cityscapes affect the people who live there, and the people in turn affect their settings. I enjoy the evocation of physical surroundings when I read and strive for that in my own work.

Pearly is a “good local son” who is accustomed to success in his life as a rugby player for Otago and a two term mayor. He is aware however, that the tide can turn. What were you interested in exploring there?
In regard to the themes of Pearly Gates - I wished to emphasise the complexity of personality even in apparently ordinary people, the moral ambiguities we all share. Pearly makes a bad decision and has to live with the consequences of that. Also I hoped to present a convincing portrait of provincial South Island life.

What book is your comfort read/re-read and what has been in your lockdown bookstack? 
Despite the time provided by the present lockdown, I haven't been reading much over the last few weeks because we have recently moved to another home and chaos rules. I have been re-reading some of Alice Munro's fine stories from her collection Dear Life. As for a ‘comfort read,' I enjoy the Jane Austen novels and also the fiction of Irish writer William Trevor. In non-fiction, I find fascinating the works of neurologist Oliver Sacks. The novel that most moved and impressed me in recent years was Enduring Love by Ian McEwan.

What are you working on next, Owen?
After several novels, I have returned in my own writing to short stories, encouraged by a recent grant from Creative New Zealand. Short stories are not as commercially successful as novels, but have an especially honourable place in New Zealand literature and offer interesting challenges to both writer and reader.

95bFM's Loose Reads: Pearly Gates by Owen Marshall

Kiran has worked her way through the Ockham NZ Book Awards Jann Medlicott Acorn Prize for Fiction shortlist and reviewed Owen Marshall’s Pearly Gates on 95bFM’s Loose Reads. It’s a lovely, gentle novel set in a small North Otago town, and is based around Pat “Pearly” Gates. A good local son made good, Pearly is a real estate agent, two term mayor and ex rugby player. Marshall is great at evoking a sense of place and character, and Pearly Gates is charming.
The Ockham NZ Book Awards Winners’ Ceremony will be live-streamed from 6pm May 12 on the Ockhams YouTube channel where you can now also view readings from the shortlisted authors.

95bFM's Loose Reads: Recollections of my Nonexistence by Rebecca Solnit

Recollections of my Nonexistence is Rebecca’s Solnit’s memoir - giving background and context to her body of work - 20 books on feminism, place, culture, ‘wandering and walking, hope and disaster.’

Solnit writes about reading here:
‘Sometimes when you are devastated you want not a reprieve but a mirror of your condition or a reminder that you are not alone in it. Other times it is not the propaganda or the political art that helps you face a crisis but whatever gives you respite from it.’

Solnit never feels like she’s speaking above you as a reader. You’ll underline and bookmark the many powerful lines in this book. It’s an intelligent and thoughtful read for both new readers and established fans.

#BookshopsWillBeBack

Listen to Jenna and Rachel chatting across the interweb below:

Rebecca Solnit, Jenna, Suri and Renee from Twizel Bookshop at the Winter Institute in Baltimore, January 2020.

95bFM's Loose Reads: Auē by Becky Manawatu & the Jann Medlicott Acorn Prize for Fiction shortlist

Beaming in via her Waterview bubble, Kiran spoke to Rachel and Tess on 95bFM’s Loose Reads about how she is reading her way through the Ockham New Zealand Book Awards Jann Medlicott Acorn Prize for Fiction shortlist. Kiran reviewed shortlisted title Auē by Becky Manawatu.

Kiran says about Auē:
”If bookshops were currently open and I was on the shop floor right now, Auē is the book I would be putting into everyone’s hands because it’s a knockout of a book and I want everyone to read it! I finished reading Auē at 2.30am with my heart thumping in my chest as I accelerated towards the end. And it’s so powerful that I spent the next day in a kind of “book hangover” state. While it deals with domestic violence, gang culture, the marginalised, and fractured families, it is ultimately beautifully pitched and evoked, full of hope, friendship and tenderness. This is the kind of uniquely gritty New Zealand social realism that I’m thrilled to see being published, and I think people will still be talking about Auē in decades to come…”

The three other shortlisted titles are A Mistake by Carl Shuker, Halibut on the Moon by David Vann, and Pearly Gates by Owen Marshall. Kiran recommends squizzing the shortlist - there’s something for almost any fiction reader!

More information about the Ockham New Zealand Book Awards can be found here. And as a special bonus, check out Kiran’s playlist to accompany Auē below!

95bFM's Loose Reads: Separation Anxiety by Laura Zigman

With a book that has chapter titles such as, Sheltering in Place, Cabin Fever and Bracing for Change, Laura Zigman’s Separation Anxiety may speak to you more than usual.

Judy is an author and mother in her 50’s. Her 14 year old son doesn’t need her, she has writers block and can’t afford to divorce her anxious husband. Whilst going through her son’s baby items in the basement, she finds an organic cotton baby sling and after putting it on, she looks down at her dog Charlotte…

This book is a story of connection, loneliness and has a promise of lightness and laughs in a time where we all need some brain space. Jenna also recommends David Sedaris, Caitlin Moran and Nina Stibbe for some comedic relief.

Time Out is not currently open, but we urge for you to wait for us to open again to treat yourself to your next literary fix. #WaitForYourBookshop

Listen to Jenna, Rachel and Tess chatting across the interweb below:

95bFM's Loose Reads: Going Dark: The Secret Social Lives of Extremists by Julia Ebner

Beaming in by safe remote access, Kiran reviewed Going Dark: The Secret Social Lives of Extremists by Julia Ebner on 95bFM’s Loose Reads. A fascinating deep dive, it’s an investigative look at extremist movements and their rise, and it helps us understand the ideas driving the far right and extremist groups.

95bFM's Loose Reads: How to Do Nothing by Jenny Odell

Visual artist Jenny Odell contextualises and explores how we can live more fulfilling life just by paying more attention - just for ourselves.

How to Do Nothing is not a self help book, but a thorough investigation into the role of our individual attention and how it can diverted sideways to appreciate the world we live in without commodification.

This is an incredibly thoughtful and fascinating read. Jenna’s review with Rachel and Tess is below:

95bFM's Loose Reads: The Yellow House by Sarah M. Broom

Suri's in the studio this week, chatting to Rachel and Tess about a memoir that's an absolute must-read. The Yellow House by Sarah M. Broom narrates stories from over 100 years in the same house, with a huge touch on the influence of Hurricane Katrina in New Orleans.

This was our February Book of the Month! Listen below:

95bFM's Loose Reads: 2000ft Above Worry Level by Eamonn Marra

On 95bFM’s Loose Reads, Kiran spoke about Wellington writer and comic Eamonn Marra’s debut novel 2000ft Above Worry Level. An episodic series of connected pieces, this novel is written in a spare, laconic style and deals with anxiety, depression, awkward cam sex, and unemployment - but with the most brilliant sense of comic timing and a lightness of touch. It’s remarkably laugh-out-loud funny and touching, too.

95bFM's Loose Reads: In the Dream House by Carmen Maria Machado

‘If you are silent about your pain, they’ll kill you and say you enjoyed it.’
ZORA NEALE HURSTON

After making multiple ‘Best of 2019’ lists in the USA, Carmen Maria Machado’s In the Dream House has finally made it to New Zealand.

Machado describes a year long, psychologically abusive relationship with her ex-girlfriend through vignettes headed with narrative genres.

She contextualises her experience as she looks outwards into writing on abusive relationships in the queer community, folklore and pop culture.

This book is intense, helpless and visceral but as Machado says, this is an act of resurrection for herself. Incredibly smart, powerful and compelling - this may be my memoir of the year already!

Listen to Jenna’s review below:

95bFM's Loose Reads: Strange Hotel by Eimear McBride

On 95bFM’s Loose Reads Kiran reviewed the eagerly anticipated new novel Strange Hotel by Eimear McBride, author of A Girl is a Half Formed Thing and The Lesser Bohemians. A slim novel at only 149 pages, Strange Hotel calls to be read in one feverish siting with a cold white wine which is what our unnamed narrator orders by the bottle from room service as she moves between a series of hotels in France, Prague, Oslo, Auckland and Austin. A searing meditation of the mind, body and loss, this radical novel is perfect for fans of Edna O’Brien and Rachel Cusk.